Industry Interviews & Spotlights
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“Don't Wait Until You're Ready”: Chris Stuckmann on Making ‘Shelby Oaks’
October 29, 2025 -
Mentorship and the Creative Process: Sam Ernst Shares Wisdom from the Writers Room
October 24, 2025 -
Filmmaker Kelly Reichardt on making ‘Anti Heist’ Film ‘The Mastermind’
October 23, 2025 -
'English Teacher' Creator Brian Jordan Alvarez Talks Path from Web Series to Network TV
October 22, 2025 -
Killer Kindness: Inside the Minds of 'Dexter' Creator Clyde Phillips and EP Scott Reynolds
October 20, 2025 -
100 Years of Frankenstein: How the Monster Became a Movie Icon
October 17, 2025 -
Spec Spotlight: Tess Brewer on writing Black List script ‘Motherboy’
October 10, 2025 -
How ‘Bone Lake’ Director Mercedes Bryce Morgan Breaks Down a Screenplay
October 3, 2025 -
From 'The Tudors' to 'Billy the Kid': Michael Hirst on Crafting Historical TV Shows
October 1, 2025 -
“If you want to go dark… there’s an audience for your story”: Writer/Director Nadia Latif talks 'The Man in My Basement'
September 17, 2025 -
From Big Break to 'Chicago Fire': 2022 TV Grand Prize Winner Natalie Messier Tells All
September 16, 2025 -
How Travis Braun Topped The Black List Two Years in a Row
September 15, 2025 -
Breaking the Boxing Movie Mold: How ‘The Cut’ Subverts Genre
September 15, 2025 -
“Keep falling in love with your idea”: ‘We Strangers’ Writer/Director Anu Valia talks Indie Filmmaking
August 21, 2025 -
What Gigi Levangie Wishes She’d Known Before Writing ‘Stepmom’ and ‘Trust’
August 21, 2025 -
“Don’t be afraid to play with tone”: ‘Revival’ Showrunner Aaron B. Koontz on crafting a TV horror hit
August 20, 2025 -
“Don’t Get Too Hung Up on the Business” and other advice from ‘The Roses’ writer Tony McNamara
August 18, 2025 -
Filmmakers Clint Bentley and Greg Kwedar on creating ‘Jockey’ and the joys of collaboration
January 5, 2022