Industry Interviews & Spotlights
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“Heaven Can Be Other People”: Clint Bentley on ‘Train Dreams’ and the Power of Human Connection
November 21, 2025 -
Taming ‘The Beast in Me’: Howard Gordon & Daniel Pearle on Building a Frenetic Psychological Thriller for Netflix
November 17, 2025 -
Ian Shorr on Writing ‘Shiver’: Turning Shark Stories into a Studio Spec Sale
November 17, 2025 -
The 6 Must-See Osgood Perkins Horror Films That Turn the Personal into Pure Terror
November 13, 2025 -
The Painfully Funny Truth of the Unread Script: ‘Sentimental Value’ Writers Joachim Trier and Eskil Vogt on Finding Story in Frustration
November 13, 2025 -
The One Question Celine Song Asks About Every Scene She Writes
November 11, 2025 -
‘Christy’ Director David Michôd On Why Great Boxing Movies Aren’t About Boxing
November 7, 2025 -
‘Shaun of the Dead’ to ‘The Running Man’: 7 Essential Screenplays by Edgar Wright
November 6, 2025 -
The Therapist Who Wrote ‘Dude, Where’s My Car?’ Helps Screenwriters Find Joy In Their Work Again
November 5, 2025 -
5 Action Screenwriting Tips from Derek Kolstad, Creator of 'John Wick' and 'Splinter Cell: Deathwatch’
November 4, 2025 -
“Don't Wait Until You're Ready”: Chris Stuckmann on Making ‘Shelby Oaks’
October 29, 2025 -
Mentorship and the Creative Process: Sam Ernst Shares Wisdom from the Writers Room
October 24, 2025 -
Filmmaker Kelly Reichardt on making ‘Anti Heist’ Film ‘The Mastermind’
October 23, 2025 -
'English Teacher' Creator Brian Jordan Alvarez Talks Path from Web Series to Network TV
October 22, 2025 -
Killer Kindness: Inside the Minds of 'Dexter' Creator Clyde Phillips and EP Scott Reynolds
October 20, 2025 -
100 Years of Frankenstein: How the Monster Became a Movie Icon
October 17, 2025 -
Spec Spotlight: Tess Brewer on writing Black List script ‘Motherboy’
October 10, 2025 -
How ‘Bone Lake’ Director Mercedes Bryce Morgan Breaks Down a Screenplay
October 3, 2025 -
From 'The Tudors' to 'Billy the Kid': Michael Hirst on Crafting Historical TV Shows
October 1, 2025 -
“If you want to go dark… there’s an audience for your story”: Writer/Director Nadia Latif talks 'The Man in My Basement'
September 17, 2025