Discussing TV & Film
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Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026 -
‘Wonder Man’ Scratches at Our Obsession with Hollywood Stories
February 11, 2026 -
‘Wuthering Heights’ and Beyond: 8 Essential 21st-Century Adaptations of 19th-Century Romances
February 11, 2026 -
‘Send Help’: A Survival Thriller Built on Shifting Power Dynamics
February 4, 2026 -
Before the Breakthrough: How 2025’s Biggest Filmmakers Got Their Start
January 27, 2026 -
‘Is This Thing On?’ Looks at the Story Behind the Stand-Up
January 27, 2026 -
‘28 Years Later: The Bone Temple’ and How Zombie Movies Reflect Social Fears
January 21, 2026 -
‘The Rip’: Joe Carnahan on Building a High-Pressure Thriller from the Inside Out
January 20, 2026 -
What's the Difference Between a Protagonist and a Main Character?
January 20, 2026 -
‘Avatar: Fire and Ash’: Come for the Fireworks, Stay for the Story
January 20, 2026 -
‘Night Patrol’: Director Ryan Prows Uses Vampires to Explore the Dark Side of Law Enforcement
January 15, 2026 -
Screenwriter Dana Fox on Writing Oz for the First Time in ‘Wicked’ and ‘Wicked: For Good’
January 14, 2026 -
Is ‘Marty Supreme’ a Motivational Sports Movie? It Depends.
January 13, 2026 -
"It’s Going to Be Bad Until It’s Not": Noah Baumbach and Emily Mortimer on Collaboration, First Drafts, and 'Jay Kelly'
January 9, 2026 -
13 Movies for Screenwriters to Look Forward to in 2026
January 9, 2026 -
How to Use Nostalgia In Your Script, ‘Stranger Things’ Style
January 8, 2026 -
The Top 5 TV Show Endings of All Time
January 5, 2026 -
‘Anaconda’: How Writers Can Lean In on Nostalgia while Subverting Genres
January 5, 2026