Discussing TV & Film
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“The Muse Needs to Know Where to Find You”: Liz Sarnoff on Writing ‘Scarpetta’
March 11, 2026 -
10 Best Oscar-Winning Screenplays of All Time
March 6, 2026 -
‘Scream 7’: Why Audience Still Can’t Get Enough
March 4, 2026 -
One Night, One Location, No Explosions: How Robert Kaplow Wrote the Oscar-Nominated ‘Blue Moon’
March 3, 2026 -
The Writers of ‘KPop Demon Hunters’ on Distinguishing Your Voice and Simplifying the Story
February 26, 2026 -
Using ‘Psycho Killer’ as a Guide to Writing a Serial Killer Thriller
February 26, 2026 -
Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026 -
‘Wonder Man’ Scratches at Our Obsession with Hollywood Stories
February 11, 2026 -
‘Wuthering Heights’ and Beyond: 8 Essential 21st-Century Adaptations of 19th-Century Romances
February 11, 2026 -
‘Send Help’: A Survival Thriller Built on Shifting Power Dynamics
February 4, 2026 -
Before the Breakthrough: How 2025’s Biggest Filmmakers Got Their Start
January 27, 2026 -
‘Is This Thing On?’ Looks at the Story Behind the Stand-Up
January 27, 2026 -
‘28 Years Later: The Bone Temple’ and How Zombie Movies Reflect Social Fears
January 21, 2026 -
‘The Rip’: Joe Carnahan on Building a High-Pressure Thriller from the Inside Out
January 20, 2026 -
What's the Difference Between a Protagonist and a Main Character?
January 20, 2026 -
‘Avatar: Fire and Ash’: Come for the Fireworks, Stay for the Story
January 20, 2026 -
‘Night Patrol’: Director Ryan Prows Uses Vampires to Explore the Dark Side of Law Enforcement
January 15, 2026 -
Screenwriter Dana Fox on Writing Oz for the First Time in ‘Wicked’ and ‘Wicked: For Good’
January 14, 2026