Discussing TV & Film
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Writing Hero and Villain as Mirrors: Jeremy Robbin’s Unique Approach to Character in ‘Apex’
April 22, 2026 -
7 of the Best Adapted Screenplays Ever
April 14, 2026 -
‘Euphoria’ and How to Write a TV Ensemble That Shines
April 10, 2026 -
The Return of the Box Office (and What It Means for Screenwriters)
April 8, 2026 -
How Daniel Goldhaber and Isa Mazzei Reframed ‘Faces of Death’ for the Internet Age
April 8, 2026 -
‘Mike & Nick & Nick & Alice’: Filmmaker BenDavid Grabinski Talks Time-Travel Movie That’s Really About Character
April 1, 2026 -
The Wild Ride Behind Screenwriter Kate Freund’s ‘Pretty Lethal’
March 26, 2026 -
Show Creator Haley Z. Boston on “Writing Weird” with ‘Something Very Bad is Going to Happen’
March 26, 2026 -
How Drew Goddard Blends Science and Emotion in ‘Project Hail Mary’
March 25, 2026 -
Interview: Steven Knight says a ‘Peaky Blinders’ Movie was always the plan
March 20, 2026 -
'Love Story' Creator Connor Hines on Digging into the Humanity of American Icons JFK Jr. & Carolyn Bessette
March 20, 2026 -
“The Muse Needs to Know Where to Find You”: Liz Sarnoff on Writing ‘Scarpetta’
March 11, 2026 -
10 Best Oscar-Winning Screenplays of All Time
March 6, 2026 -
‘Scream 7’: Why Audiences Still Can’t Get Enough
March 4, 2026 -
One Night, One Location, No Explosions: How Robert Kaplow Wrote the Oscar-Nominated ‘Blue Moon’
March 3, 2026 -
The Writers of ‘KPop Demon Hunters’ on Distinguishing Your Voice and Simplifying the Story
February 26, 2026 -
Using ‘Psycho Killer’ as a Guide to Writing a Serial Killer Thriller
February 26, 2026 -
Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026