Discussing TV & Film
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How ‘Evil Dead Burn’ Stays True to the Source
July 14, 2026 -
How 'Minions & Monsters' Uses Intertextuality to Deepen Its Story
July 9, 2026 -
How ‘The Vampire Lestat’ Uses an Unreliable Narrator to Reframe the Story
July 2, 2026 -
How to Master Writing a Walk and Talk in Film & TV
June 25, 2026 -
Eric Kripke on Ending ‘The Boys’: “Character Is Plot”
June 24, 2026 -
‘Disclosure Day’: How Spielberg Uses Aliens to Explore Human Nature
June 24, 2026 -
From Screen to Stage: ‘Paranormal Activity’ is the Latest Movie Coming to Broadway
June 22, 2026 -
‘Office Romance’ Shows Us Exactly How to Write a Great Rom-Com
June 16, 2026 -
How ‘Masters of the Universe’ Uses Nostalgia to Update a 1980s Fave
June 15, 2026 -
From ‘Mare of Easttown’ to ‘Task’: Brad Ingelsby's Rules for Creating Compelling Drama
June 15, 2026 -
How 'Widow's Bay' Pulls Off Genre-Bending Without Losing the Audience
June 11, 2026 -
What ‘Euphoria’ Teaches Screenwriters About Myth and Religion
June 8, 2026 -
How ‘Backrooms’ Turned a Creepypasta into a Box Office Smash
June 5, 2026 -
5 Screenwriting Lessons from ‘Obsession’
June 3, 2026 -
'Dexter' Showrunner Clyde Phillips Reveals His 'Pre-Magic Draft' Writing Process
June 3, 2026 -
Inside Dunk: Showrunner Ira Parker Talks 'A Knight of the Seven Kingdoms'
June 1, 2026 -
Brett Goldstein’s ‘Escorted’ and Why Audiences are Fascinated by Stories about Sex Work
June 1, 2026 -
‘Westworld’ Returns, and Now AI Has Caught Up With Its Fiction
May 29, 2026 -
The Lone Wolf and Cub Dynamic of ‘The Mandalorian and Grogu’
May 29, 2026 -
How 'DTF St. Louis' Creator Steven Conrad Turned Middle-Aged Dread Into a Hitchcockian Whodunit
May 22, 2026