Discussing TV & Film
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5 Screenwriting Lessons from ‘Obsession’
June 3, 2026 -
'Dexter' Showrunner Clyde Phillips Reveals His 'Pre-Magic Draft' Writing Process
June 3, 2026 -
Inside Dunk: Showrunner Ira Parker Talks 'A Knight of the Seven Kingdoms'
June 1, 2026 -
Brett Goldstein’s ‘Escorted’ and Why Audiences are Fascinated by Stories about Sex Work
June 1, 2026 -
‘Westworld’ Returns, and Now AI Has Caught Up With Its Fiction
May 29, 2026 -
The Lone Wolf and Cub Dynamic of ‘The Mandalorian and Grogu’
May 29, 2026 -
How 'DTF St. Louis' Creator Steven Conrad Turned Middle-Aged Dread Into a Hitchcockian Whodunit
May 22, 2026 -
Agatha Christie’s Real Life Mystery and Author Biopics You Need To See
May 22, 2026 -
Write a Better Ending: 8 Iconic Final Lines of Dialogue
May 20, 2026 -
Why the Fast and Furious Franchise Never Dies
May 18, 2026 -
5 Modern TV Show Creators You Should Know
May 14, 2026 -
Curry Barker Breaks Down the Writing of 'Obsession'
May 13, 2026 -
‘Off Campus’ Showrunner Louisa Levy on Adapting New Adult Romance for TV
May 13, 2026 -
Give Them What They Want, But Different: Jeremy Slater’s Approach to Writing 'Mortal Kombat II'
May 11, 2026 -
How ‘Deep Water’ Blends Several Genres Into a Disaster Movie
May 8, 2026 -
Writing Hero and Villain as Mirrors: Jeremy Robbin’s Unique Approach to Character in ‘Apex’
April 22, 2026 -
7 of the Best Adapted Screenplays Ever
April 14, 2026 -
‘Euphoria’ and How to Write a TV Ensemble That Shines
April 10, 2026 -
The Return of the Box Office (and What It Means for Screenwriters)
April 8, 2026 -
How Daniel Goldhaber and Isa Mazzei Reframed ‘Faces of Death’ for the Internet Age
April 8, 2026