Filmmaking & Production
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Mastering Subtext in Screenwriting
February 20, 2026 -
Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026 -
What's the Difference Between a Screenwriter and a Scriptwriter?
February 11, 2026 -
Everything Screenwriters Need to Know About MacGuffins
February 2, 2026 -
‘Avatar: Fire and Ash’: Come for the Fireworks, Stay for the Story
January 20, 2026 -
How to Use Nostalgia In Your Script, ‘Stranger Things’ Style
January 8, 2026 -
‘Anaconda’: How Writers Can Lean In on Nostalgia while Subverting Genres
January 5, 2026 -
Why the Pacing in 'Stranger Things' Works (and How to Copy It)
December 31, 2025 -
How to Make Exposition Interesting
December 16, 2025 -
“Heaven Can Be Other People”: Clint Bentley on ‘Train Dreams’ and the Power of Human Connection
November 21, 2025 -
Taming ‘The Beast in Me’: Howard Gordon & Daniel Pearle on Building a Frenetic Psychological Thriller for Netflix
November 17, 2025 -
Ian Shorr on Writing ‘Shiver’: Turning Shark Stories into a Studio Spec Sale
November 17, 2025 -
The Painfully Funny Truth of the Unread Script: ‘Sentimental Value’ Writers Joachim Trier and Eskil Vogt on Finding Story in Frustration
November 13, 2025 -
The One Question Celine Song Asks About Every Scene She Writes
November 11, 2025 -
‘Shaun of the Dead’ to ‘The Running Man’: 7 Essential Screenplays by Edgar Wright
November 6, 2025 -
Top 10 Unproduced Screenplays
October 31, 2025 -
How to Introduce Characters in Your Script Like These Iconic Examples
October 30, 2025 -
How and Why Do Bad Movies Get Made?
October 30, 2025