Filmmaking & Production
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What Does a Producer Do?
May 13, 2026 -
Give Them What They Want, But Different: Jeremy Slater’s Approach to Writing 'Mortal Kombat II'
May 11, 2026 -
What Does a Reality TV Writer Really Do? (Spoiler: it’s a lot more than you think!)
April 29, 2026 -
How Daniel Goldhaber and Isa Mazzei Reframed ‘Faces of Death’ for the Internet Age
April 8, 2026 -
Screenwriter Lily Houghton Talks How ‘Forbidden Fruits’ Evolved from Stage to Slasher (with Help from Diablo Cody)
April 3, 2026 -
One Night, One Location, No Explosions: How Robert Kaplow Wrote the Oscar-Nominated ‘Blue Moon’
March 3, 2026 -
How To Write a Fight Scene in a Screenplay
February 26, 2026 -
Mastering Subtext in Screenwriting
February 20, 2026 -
Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026 -
What's the Difference Between a Screenwriter and a Scriptwriter?
February 11, 2026 -
Everything Screenwriters Need to Know About MacGuffins
February 2, 2026 -
‘Avatar: Fire and Ash’: Come for the Fireworks, Stay for the Story
January 20, 2026 -
How to Use Nostalgia In Your Script, ‘Stranger Things’ Style
January 8, 2026 -
‘Anaconda’: How Writers Can Lean In on Nostalgia while Subverting Genres
January 5, 2026 -
Why the Pacing in 'Stranger Things' Works (and How to Copy It)
December 31, 2025 -
How to Make Exposition Interesting
December 16, 2025 -
“Heaven Can Be Other People”: Clint Bentley on ‘Train Dreams’ and the Power of Human Connection
November 21, 2025 -
Taming ‘The Beast in Me’: Howard Gordon & Daniel Pearle on Building a Frenetic Psychological Thriller for Netflix
November 17, 2025