Screenwriting Career
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How Big Break Category Winner Xavier Burgin Sold His Script
April 22, 2026 -
Writing Hero and Villain as Mirrors: Jeremy Robbin’s Unique Approach to Character in ‘Apex’
April 22, 2026 -
What Category Is My Big Break Script?
April 16, 2026 -
Ed Solomon on Writing ‘The Christophers’, Creative Constraints, and Not Hoarding Your Reveals
April 13, 2026 -
10 Screenwriting Tips from Jon Favreau's Interview with Robert Rodriguez
April 13, 2026 -
Screenwriting Career Coach & Big Break Mentor Lee Jessup on Connecting the Storyteller to the Story
April 13, 2026 -
The Return of the Box Office (and What It Means for Screenwriters)
April 8, 2026 -
How Daniel Goldhaber and Isa Mazzei Reframed ‘Faces of Death’ for the Internet Age
April 8, 2026 -
The Big Break Win that Helped ‘Deafblind’ Get Optioned
April 8, 2026 -
4 Ways to Improve Your Chances in Screenwriting Contests
April 3, 2026 -
Screenwriter Lily Houghton Talks How ‘Forbidden Fruits’ Evolved from Stage to Slasher (with Help from Diablo Cody)
April 3, 2026 -
‘Mike & Nick & Nick & Alice’: Filmmaker BenDavid Grabinski Talks Time-Travel Movie That’s Really About Character
April 1, 2026 -
The Wild Ride Behind Screenwriter Kate Freund’s ‘Pretty Lethal’
March 26, 2026 -
Show Creator Haley Z. Boston on “Writing Weird” with ‘Something Very Bad is Going to Happen’
March 26, 2026 -
Big Break Judge Trent Anderson: The One Thing That Makes a Script Stand Out
March 24, 2026 -
Erin Galey on Winning Big Break Sci-Fi/Fantasy and Getting Notes from an Oscar-Nominee
March 24, 2026 -
Writing Across Formats: Why You Should Diversify Your Projects
March 24, 2026 -
Interview: Steven Knight says a ‘Peaky Blinders’ Movie was always the plan
March 20, 2026 -
'Love Story' Creator Connor Hines on Digging into the Humanity of American Icons JFK Jr. & Carolyn Bessette
March 20, 2026 -
How Jason Kaleko Optioned his Big Break Winning Horror Script ‘Effigy’
March 19, 2026