Screenwriting Career
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‘Mike & Nick & Nick & Alice’: Filmmaker BenDavid Grabinski Talks Time-Travel Movie That’s Really About Character
April 1, 2026 -
The Wild Ride Behind Screenwriter Kate Freund’s ‘Pretty Lethal’
March 26, 2026 -
Show Creator Haley Z. Boston on “Writing Weird” with ‘Something Very Bad is Going to Happen’
March 26, 2026 -
Big Break Judge Trent Anderson: The One Thing That Makes a Script Stand Out
March 24, 2026 -
Erin Galey on Winning Big Break Sci-Fi/Fantasy and Getting Notes from an Oscar-Nominee
March 24, 2026 -
Writing Across Formats: Why You Should Diversify Your Projects
March 24, 2026 -
Interview: Steven Knight says a ‘Peaky Blinders’ Movie was always the plan
March 20, 2026 -
'Love Story' Creator Connor Hines on Digging into the Humanity of American Icons JFK Jr. & Carolyn Bessette
March 20, 2026 -
How Jason Kaleko Optioned his Big Break Winning Horror Script ‘Effigy’
March 19, 2026 -
5 Things Lit Manager Jeff Portnoy Looks for When Judging a Big Break Script
March 13, 2026 -
“The Muse Needs to Know Where to Find You”: Liz Sarnoff on Writing ‘Scarpetta’
March 11, 2026 -
Writing for TV vs. Movies: What’s the Difference?
March 11, 2026 -
Big Break Judge Andrew Bergamo on the One Mistake Writers Keep Making
March 11, 2026 -
How Laura Kroeger’s Career Took Off After Winning Final Draft’s Big Break
March 5, 2026 -
One Night, One Location, No Explosions: How Robert Kaplow Wrote the Oscar-Nominated ‘Blue Moon’
March 3, 2026 -
Is Screenwriting an Art or a Business?
March 2, 2026 -
“Write the Biggest, Craziest Idea You Have”: Colby Day on Writing 'In the Blink of an Eye'
February 27, 2026 -
The Writers of ‘KPop Demon Hunters’ on Distinguishing Your Voice and Simplifying the Story
February 26, 2026 -
Who’s in a TV Writers' Room? Roles and Jobs Explained
February 26, 2026 -
How To Write a Fight Scene in a Screenplay
February 26, 2026