Screenwriting & Craft
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How Big Break Category Winner Xavier Burgin Sold His Script
April 22, 2026 -
Writing Hero and Villain as Mirrors: Jeremy Robbin’s Unique Approach to Character in ‘Apex’
April 22, 2026 -
How to Avoid ‘Filler’ Scenes in Your Screenplay
April 21, 2026 -
What is Situational Irony? How to Use It in Your Writing
April 21, 2026 -
Verbal Irony: What It Is and How to Use It Effectively
April 17, 2026 -
Why Some Scripts ‘Feel’ Professional (Even Before They Sell)
April 14, 2026 -
How to Balance Dialogue, Action, and Exposition in Your Screenplay
April 14, 2026 -
7 of the Best Adapted Screenplays Ever
April 14, 2026 -
Ed Solomon on Writing ‘The Christophers’, Creative Constraints, and Not Hoarding Your Reveals
April 13, 2026 -
10 Screenwriting Tips from Jon Favreau's Interview with Robert Rodriguez
April 13, 2026 -
‘Euphoria’ and How to Write a TV Ensemble That Shines
April 10, 2026 -
What Is the Difference Between a Scene and a Sequence?
April 10, 2026 -
The Return of the Box Office (and What It Means for Screenwriters)
April 8, 2026 -
How Daniel Goldhaber and Isa Mazzei Reframed ‘Faces of Death’ for the Internet Age
April 8, 2026 -
The Big Break Win that Helped ‘Deafblind’ Get Optioned
April 8, 2026 -
How to Write a Satisfying Resolution to Your Story
April 3, 2026 -
4 Ways to Improve Your Chances in Screenwriting Contests
April 3, 2026 -
How to Make Falling Action Matter in Your Story
April 3, 2026 -
Screenwriter Lily Houghton Talks How ‘Forbidden Fruits’ Evolved from Stage to Slasher (with Help from Diablo Cody)
April 3, 2026 -
How to Write a Script in 3 Months
April 1, 2026