Screenwriting & Craft
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Mastering Subtext in Screenwriting
February 20, 2026 -
Infinite Universes, One Grieving Mother: 'Redux Redux' is Emotional Sci-Fi Without a Big Budget
February 19, 2026 -
What It's Like to Write Your First Screenplay
February 19, 2026 -
How ‘GOAT’ Builds a Four-Quadrant Underdog Story
February 19, 2026 -
Power, Myth, and the Mother-in-Law: Crafting Horror from Intimacy in 'The Dreadful'
February 19, 2026 -
7 Ways to Keep a Reader's Interest
February 19, 2026 -
More Than a Twist: Narrative Bait and Switch
February 13, 2026 -
Always Be Escalating
February 13, 2026 -
How To Find People to Read Your Screenplay
February 13, 2026 -
‘Wonder Man’ Scratches at Our Obsession with Hollywood Stories
February 11, 2026 -
What's the Difference Between a Screenwriter and a Scriptwriter?
February 11, 2026 -
‘Wuthering Heights’ and Beyond: 8 Essential 21st-Century Adaptations of 19th-Century Romances
February 11, 2026 -
How Can You Tell When Your Screenplay Is Finished?
February 10, 2026 -
How to Write Teen Characters (When You're Not a Teen Anymore)
February 9, 2026 -
How to Use Voice Over in a Screenplay: Formatting and Best Practices Explained
February 5, 2026 -
‘Show Up Late and Leave Early’: Writing Advice from ‘The Screener’ Filmmakers Jim Cummings and PJ McCabe
February 4, 2026 -
5 Childhood Things We Did That Made Us Better Screenwriters
February 4, 2026 -
‘Send Help’: A Survival Thriller Built on Shifting Power Dynamics
February 4, 2026 -
Everything Screenwriters Need to Know About MacGuffins
February 2, 2026 -
Spec Spotlight: How Chris Grillot & Malcolm Badewitz Sold ‘The Cage’ to Netflix
January 29, 2026