Writing & Tools
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Writing Hero and Villain as Mirrors: Jeremy Robbin’s Unique Approach to Character in ‘Apex’
April 22, 2026 -
How to Avoid ‘Filler’ Scenes in Your Screenplay
April 21, 2026 -
What is Situational Irony? How to Use It in Your Writing
April 21, 2026 -
What Are Transitions and How To Use Them
April 17, 2026 -
What Category Is My Big Break Script?
April 16, 2026 -
Why Some Scripts ‘Feel’ Professional (Even Before They Sell)
April 14, 2026 -
Ed Solomon on Writing ‘The Christophers’, Creative Constraints, and Not Hoarding Your Reveals
April 13, 2026 -
Screenwriting Career Coach & Big Break Mentor Lee Jessup on Connecting the Storyteller to the Story
April 13, 2026 -
‘Euphoria’ and How to Write a TV Ensemble That Shines
April 10, 2026 -
What Is the Difference Between a Scene and a Sequence?
April 10, 2026 -
How to Write a Satisfying Resolution to Your Story
April 3, 2026 -
4 Ways to Improve Your Chances in Screenwriting Contests
April 3, 2026 -
How to Make Falling Action Matter in Your Story
April 3, 2026 -
How to Write a Script in 3 Months
April 1, 2026 -
How to Write a Gripping Climax for Your Story
March 26, 2026 -
Writing Across Formats: Why You Should Diversify Your Projects
March 24, 2026 -
Why Your Screenplay Feels Slow (and How To Fix It)
March 18, 2026 -
How To Write a Logline for Big Break
March 18, 2026 -
Rising Action: How to Build Toward Your Story's Climax
March 18, 2026 -
5 Things Lit Manager Jeff Portnoy Looks for When Judging a Big Break Script
March 13, 2026