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April 2001
by Paulo de Andrade
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If you write dual-column scripts for television or video, you know
very well how painful the whole process can be. I'm not talking
about the creative part of writing but the boring, time consuming
formatting tasks. That's because up until now there have been no
dedicated programs designed for this type of work for either Windows
or Mac. Fortunately Final Draft Inc., makers of the most popular
film screenwriting software of the same name, recently released
Final Draft AV, a dedicated dual-column screenwriting program that
is just what professional writers for television and video have
been waiting for all these years.
I have always been a big fan of Final Draft. Having written a good
number of screenplays I really appreciate how well designed the
program is and all the timesaving features that it offers. This
company really knows what we want (and need) and they truly help
us to keep our creative juices flowing by taking care of the formatting
tasks for us. So, when I heard that they were releasing Final Draft
AV, I almost jumped up in joy.
Up until now, whenever we had to write a dual-column script, we
have been forced to utilize the less-than-ideal tables function
in regular word processors. Those of us who do this on a regular
basis know how frustrating this process can be. Not only do we have
to do all the formatting by hand, but also if we don't split the
tables carefully we may end up with blank printed pages or huge
gaps between segments. Worst of all, whenever we have to make modifications
to the script, the whole formatting usually gets messed up and we
must spend a considerable amount of time fixing things. On top of
that, there really isn't any real relationship between the audio
and the video columns, which constantly forces us to align them
manually.
Final Draft AV is a real godsend because it solves all the problems
above and does a lot more. It is a standalone specialized word processor,
not just a set of macros for Word. This is very important and, if
you have ever compared the film version of Final Draft to other
macro-based products, you know what I mean. A dedicated program
is much more efficient, leaner, more stable and a lot easier to
use. Final Draft AV is considerably smaller than your typical word
processor, yet it is fully featured for the task. It comes with
a complete 120,000 word spell-checker as well as a thesaurus and
the streamlined, dedicated interface makes for a much more comfortable
work environment.
Final Draft AV lets you concentrate on the writing and takes care
of everything else for you. It puts things in the proper places
and takes care of using the right capitalization. And even though,
at first glance, the program seems to offer a very limited toolset,
in reality it offers virtually all you need to get the job done.
It starts with the choice of headers. You can have a detailed one
with all the available production information or a simple one with
just the bare minimum. Next you get to the dual-column format. The
Video and Audio columns come pre-arranged for you but you still
have a few choices on how to use them. You may use a wide or narrow
video column, choose all caps or mixed case, show boxes around scenes
to ease a script breakdown, show or hide the separation bar between
the columns, show or hide the column titles and insert a 3-hole
punch offset on the pages. You can also select whether you want
the character to be above or in line with the dialog, choose between
single and double spaced lines, or switch between AV and Radio formats.
A very nice touch is that you never lose information when you switch
back and forth between modes. For instance, when you switch to Radio
mode your Video column disappears because the audio now occupies
the whole page. But the video information is not lost and, as soon
as you switch back to AV mode, it shows up again. I love the fact
that you can change the formatting on the fly. It makes it very
easy to turn a regular script into radio format and export it to
be used on teleprompters, for example. By the way, Final Draft AV
lets you import and export your work in Rich Text Format (rtf) for
full compatibility with normal word processors, enabling you to
work in conjunction with other authors or clients.
The workflow within the program is very intuitive. Whenever you
enter text in a column an equivalent space is automatically generated
in the other and the resulting sequence is linked. This makes it
very easy to alter or even delete a complete sequence without disturbing
the others.
When you start typing a new paragraph in the Audio column the program
automatically enters into character mode, letting you enter the
name of the desired character in the proper format. When you hit
Enter, it takes you into dialog mode. But if you wish to go into
parenting mode, all you have to do is hit Enter twice and the parentheses
are automatically created for you. To move between the columns,
all you have to do is hit the Tab key.
Final Draft AV also makes sure that the page breaks are clean,
not breaking the dialogue down into separate pages, therefore making
the narrator's life easier. The software is compatible with both
Mac and Windows and scripts are fully interchangeable between the
platforms. Those who use Word will appreciate the familiar keyboard
shortcuts.
I believe that Final Draft AV will become a big hit with anyone
who needs to write dual-column scripts, from small production facilities
to television networks. The first version of the program already
does what you need as a professional writer but the company already
has plans to add many features to the following ones. Expect editing
related features, text to speech translation, graphics, increased
customization and more. Judging from the frequency of updates that
have been available since the initial release of the film version
of Final Draft, you can expect this program to evolve at a very
good pace. Best of all, the company really listens to users and
most of the implemented features come from them.
For more information contact Final Draft at 1-800-231-4055, 1-818-995-8995
or visit their web site at www.finaldraft.com/av.
For the full article, visit www.filmandvideomagazine.com/2001/04_apr/features/FinalDraftAV.htm
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